Intro

"We don't see things as they are. We see them as we are."


Anais Nin (American Author, 1903-1977)


To most phenomena, there is more than one side, and viewing things through somebody else's eyes is something I always found refreshing and also a good way of getting to know someone a little better, as in - what makes them tick?

With this in mind I have started writing this blog. I hope my musings are interesting and relevant - and on a good day entertaining.

All views expressed are of course entirely mine – the stranger the more so.

As to the title of the blog, quite a few years ago, I had an American boss who had the habit of walking into my office and saying, "Axel, I've been thinkin'" - at which point I knew I should brace myself for some crazy new idea which then more often than not actually turned out to be well worth reflecting on.

Of course, I would love to hear from you. George S. Patton, the equally American WW2 general once said: "If everyone is thinking alike, then somebody is not thinking."

So please feel free to tell me what you think.

Enjoy the read!

Axel

Thursday, January 21, 2016

A Few Rich Men, and then A Very Special One

These early days of the New Year have brought with them a strange and I find quite worrying debate. And then some.

The former is all to do with History, with cherry-picking what we think we liked, and with disowning what we have decided, from today’s vantage point, we don’t. It reminds me a little of the Stalinist solution to the problem – just erase, physically, from the archives any traces of differing viewpoints, and from photos any faces and bodies that have been, well, purged.

In the good old days [irony!] of the Cold War, there was a discipline called “Kremlinology” which relied on second-guessing any documentation publicly available by comparing it with previous such sources to determine what had in the meantime been going on behind the thick and high walls of the Kremlin. So, for example, who was positioned where on the stands on Red Square for the 9 May celebration of victory in World War II, the Great Patriotic War vis-à-vis the previous year? And then to check who had simply been erased from the photos of twelve months ago.  

Of course, we like to think this kind of totalitarian world view and cynical manipulation of The Truth has long been overcome – after all, Stalin and his cronies have been committed to the dust heap of History themselves. But can we or can present-day Russia simply deny they existed? I don’t think so.

Fast-forward to the University of Oxford in 2016, that hallowed home of learning, of teaching, and of open exchange of differing views, all for the higher good of promoting intellectual progress and thereby advancing mankind.

To quote from their own website:  “As the oldest university in the English-speaking world, Oxford is a unique and historic institution.” Indeed.

Anyhow, one of the 38 entities that make up the University of Oxford – and I don’t really have the luxury of going into how that all works here and now, but I simply can’t resist reminding you that the academic year is divided into three trimesters, sorry, “terms”, endearingly called Michaelmas, Hilary, and Trinity – is Oriel College.

And Oriel College has a problem right now. As does Oxford as a whole, and maybe all of us.

You see, the story is this: 

British-born Cecil Rhodes (1853 – 1902), who left his home country for Southern Africa at the tender age of seventeen eventually to become a seriously wealthy businessman and politician (among other achievements, he founded the De Beers diamond empire and rose to the position of Premier of the then Cape Colony), studied at Oriel College, Oxford for two spells in the 1870s. Today, he is regarded by many as an unabashed proponent of colonialism, a white supremacist, and none less than the father of apartheid.

He was certainly an ardent patriot: “I contend that we [the English] are the first race in the world and that the more of the world we inhabit, the better it is for the human race.” To us, this is crossing the line from patriotism to chauvinism, by way of nationalism, but back then, his views were pretty orthodox and mainstream.

However, to complicate matters, in order to give others the same opportunity he had enjoyed, from his own funds he also launched the Rhodes scholarship program, an international post-graduate award for non-British students to go to “Oxford”. It is generally viewed as one of the most prestigious scholarships worldwide, and several of its recipients over time subsequently became heads of state or government back home – Bill Clinton (United States), John Turner (Canada), and the Australian Prime Ministers Bob Hawke, Tony Abbott, and Malcolm Turnbull.

So little surprise that there should be a statue of Cecil Rhodes over the entrance of Oriel College to commemorate the great man – or was he not so great, viewed from today’s perspectives on politics, racism, and political correctness?

Certain members of the Oxford student body think the latter and have started a campaign “Rhodes Must Fall”, literally aimed at bringing down the statue – having already succeeded with the removal of another one at Cape Town University in South Africa.

Oriel College has so far refused to oblige. They have, however, made concessions by removing a plaque commemorating Rhodes on their campus and replaced it by a sign in a window below the statue which reads: “In acknowledging the historical fact of Rhodes’ bequest, the college does not in any way condone or glorify his views or actions.” [My emphasis]

This whole controversy has received a lot of media attention not just in the UK, and while the consultation proper on the future of the statue is due to begin in February, many have felt either compelled or invited to voice their opinions. A good piece on the debate was published by the anything-but-conservative Independent on 16 January:


In the sub-heading, the newspaper states: “Oxford students should know it’s meaningless to judge the past through the prism of our own morality” which, in a nutshell, sums up my position on the issue.

The article also quotes from a speech by Lord Patten, current University of Oxford’s Chancellor, former Chairman of the BBC Trust, member of the EU Commission, and last British Governor of Hong Kong, where he oversaw its handover to China on 1 July 1997.
I admit always having had a soft spot for Chris Patten, and I will never forget the picture of him, his wife and beautiful three daughters standing at the railing of the British Royal Yacht, HMY Britannia, in the pouring rain as she sailed out of Hong Kong harbour on that historic day. Oh, and he has two Norfolk terriers called Whisky and Soda which I find pretty cool. – If interested, please read his autobiography, aptly entitled Not Quite the Diplomat: Home Truths About World Affairs (2005).

Anyhow, Lord Patten made his views on the matter clear by stating the university’s history was “not a blank page on which we can write our own version of what it should have been according to contemporary views and prejudices”. 

Not only do I have nothing to add, it so reminds me of what my mother, a very intelligent woman who sadly passed a little over two years ago just short of her 91st birthday, often said to me: “Axel, the problem with life is you can’t live it in pencil and then erase the parts that didn’t work out so well.” 

Just to give two literary examples from the same Victorian age: There’s Rudyard Kipling (1865 – 1936), a major innovator of the art of the Short Story and author of children’s books that have become classics. But he was also a “child of his time” and wrote these lines:

“Take up the White Man's burden—
Send forth the best ye breed—
Go, bind your sons to exile
To serve your captives' need;
To wait, in heavy harness,
On fluttered folk and wild—
Your new-caught sullen peoples,
Half devil and half child.”

“The White Man's Burden” (1899)

Do we disown Kipling and banish him from the English literature’s tradition? Burn his books?

Or Charles Dickens (1812 – 1870), one of the greatest novelists of all times, not just in the English language. In The Adventures of Oliver Twist (published as a monthly serial between 1837 and 1839), his depiction of Fagin, the King of Thieves, is more than just borderline anti-Semitic. He is mostly just referred to as “The Jew”. 

Does that disqualify Dickens as an author?

I don’t think so. And nor do I subscribe to the notion that universities should be “safe spaces” where young people are shielded from anything that might cause them offence, including a ban of controversial guest speakers and the prohibition of discussion on contentious issues. At the same event Patten spoke, namely the installation of the University’s new Vice-Chancellor, Louise Richardson into her post, she bravely defended “the value of engaging with ideas they [students] find objectionable”. 

The Times summed it up admirably in an editorial: “There is no point in being polite about this. If students want a ‘safe space’ they should not be at university. They belong at a finishing school instead. Academic argument is not for the genteel; it is for the unrelentingly curious.” (13 January 2016)

I rest my case.

Coming back to Cecil Rhodes for a moment, and long may his statue adorn Oriel College, I can’t resist pointing out he is one of only three people in modern history to have achieved something quite remarkable – having a whole country named after them.

In chronological order:

Christopher Columbus (1450/51 – 1506)

Of Genovese origin, the Italian version of his name is Cristoforo Colombo, the Spanish version Cristóbal Colón. The country named after him is, of course, Colombia.

Cecil Rhodes (1853 - 1902)

He gave his name to Rhodesia, which today is Zimbabwe (and parts of Zambia).

Ibn Saud (1875 – 1953)

Founded Saudi Arabia in 1932 when he united the four distinct regions making up that modern-day country by a series of conquests over a 30-year period.

Have I overlooked anyone?

Of course, they weren’t just in it for the glory and an ambitious urge for nation building– at least the last two also got famously rich in the process (and yes, it does help to sit on territory that yields diamonds or oil). In the case of Columbus, he just had the bad luck of subsequently falling out with the Spanish Crown that had sponsored his voyages and therefore not getting the 10% of all profits from the New World he considered himself entitled to.

Contemporary rich people, very rich people have just in the past couple of days made the headlines big time, and in a very sensationalist way. 

The timing is no coincidence as this is the season for the World Economic Forum (WEF) in Davos, Switzerland, annually attended by around 2,500 very important (and self-important) politicians, business leaders, scientists, and a bunch of celebrity hangers-on seeking good photo ops. Leonardo di Caprio is adorning the event with his presence this year – it can’t hurt with a view to the upcoming Oscar awards.

The WEF is a private initiative started by the German Economics professor, Klaus Schwab in Geneva in 1971. Although it still operates as a non-profit foundation, believe me, he has done very well for himself out of it. You should see their offices in Cologny, overlooking Lake Geneva.

The WEF’s mission is cited as "committed to improving the state of the world by engaging business, political, academic, and other leaders of society to shape global, regional, and industry agendas". And once a year in January, they all descend on this little ski resort in the Swiss-German Alps to help do just that.

There has been one exception to the venue, and only one: In 2002, as a sign of solidarity with New York City following 9/11, the meeting was moved to Manhattan. That was the only time I have attended it, so I guess you could say I got lucky. I also rode an elevator with Bill Gates on that occasion.

It was quite an experience – not the scene on the lift, but the whole event. It took place at the Waldorf Astoria Hotel between Park and Lexington Avenues and 49th and 50th Streets. Around it, for a block in each direction, the traffic was sealed off for four days, and the building was protected by heavily armed military. Looking out the window, you felt like being under siege or quarantine, but of course it was all for our security. The good folks from the anti-globalisation scene demonstrating in the distance appreciated it less as it stole most of their thunder.

The social highlight was an evening reception on the floor of the New York Stock Exchange which closed early on the day to allow for the caterers to take over. We were transported there on buses, all the way down from Midtown to Wall Street at the Southern tip of Manhattan, and the Expressway along the East River was closed to traffic. Every 100 meters or so, U.S. military was stationed to protect our convoy. Quite spooky, more like a scene from a Hollywood movie, and only ever to be experienced once – in three words, unique, historic, and totally unforgettable. 

So, returning to Davos proper. On the back of all the wealthy, powerful, high-and-mighty people getting together to discuss how to advance the State of the World (and, it is assumed, their own vested interests) for the following twelve months at least, all sorts of other interested parties use this platform to promote their own agendas, and legitimately so. It’s just too good an opportunity for media attention to miss.

One of them is Oxfam, a UK-based charity whose vow is, “We won’t live with poverty”. Every year to coincide with “Davos”, they publish a report that owes its data to work done by the Credit Suisse Research Institute and published in the previous month of October – in its sixth edition now, the Global Wealth Report, a tome of 158 pages this time around that literally cries out for synthesising, in their own words “offers a comprehensive portrait of global wealth, covering all regions and countries, and all parts of the wealth spectrum, from the very base of the wealth pyramid to ultra-high net worth individuals (UHNWIs)”.

Nice one! I bet you didn’t know this initialism yet – and that’s what it’s called, as I just learned myself: “an abbreviation consisting of initial letters pronounced separately” (e.g., BBC). As opposed to the good old acronym which you can speak as a word, such as POTUS (President of the United States).

Anyhow, the sobering piece of statistics you should take away from this exercise is that today the top one percent have as much wealth as the remaining 99 percent living on this planet.

A year ago at Davos Time, Oxfam had already predicted the one percent would overtake the rest of the world population within twelve months, and guess what, dare I say it they were right on the money! [Pun fully intended.]

If you are wondering where this leaves you, here’s a calculation that may answer the question. It takes cash and assets worth USD 68,800 (£ 48,300) to be in the top ten percent. For the elusive one percent, the corresponding number is USD 760,000 (£ 533,000). In the words of the BBC, “That means that if you own an average house in London without a mortgage, you are probably in the 1%.”

Furthermore, and even more mind-boggling I find, based on the Forbes Magazine ranking “The World’s Billionaires”, the richest 62 people in the world have as much wealth as the poorest half of the global population. What has helped accelerate this process, of course, is the strengthening of the U.S. Dollar against other, developing-world currencies. But still.

According to Forbes, unsurprisingly, the richest individual in the world is my elevator acquaintance Bill Gates of Microsoft fame whom they assess at a net worth of USD 79.2 billion. To put it in perspective, according to the Credit Suisse research on countries, he has as much wealth as the proud nation of Croatia.

Actually, it’s quite fun to visit the Forbes ranking: 


As you see, this is the link to what they call the “static” version of the table – the numbers for 2015.

And then, there’s another one, the “Real Time Ranking”, on which you can follow daily the gains and losses made by the billionaires, depending on how their businesses and investments are faring as we speak. Great fun to watch!

Either way, the first thing that comes up when you go there is a quote of the day. On my last visit, it was this, attributed to 1960s American Civil Rights leader, Dr Martin Luther King, Jr.:

“Life’s most persistent and urgent question is – ‘What are you doing for others?’” 

You just could not make it up.

So, bottom line: The richest 62 people in the world hold the same wealth as 3.6 billion people on this planet put together. In 2010, by the way, that number was still 388 billionaires needed to balance the scales or sit at the other end of the see-saw. This is what I call a clear trend. The billionaires are winning.

“Interesting”, the English would say.

Shared Number 62, by the way, estimated at a net worth of USD 15.3 billion each, are Serge Dassault of France who made his fortune in the aviation industry; and Chinese Robin Li, the owner of the internet search engine Baidu. They have to chip in to make up the equation.

But enough about them. They’re in Davos now anyway.

There are two others on the Forbes list who have recently made the headlines, and for very different reasons.

One is, of course, Donald “The Donald” Trump (born in 1946) who for the moment appears to be the leading contestant for the Republican Party’s candidacy to become the next President of the United States (POTUS). Having just now been endorsed as the Party’s nominee by none less than Sarah Palin, who’s to stop him?

Sarah Who? Yes, that’s right, the former Governor of Alaska (from 2006 to 2009) who had been selected as his running mate by Republican Senator John McCain in the 2008 Presidential election. The darling of the Tea Party Movement, she committed a number of gaffes back then, the most memorable when, questioned in the course of the campaign on her total lack of experience in foreign policy (or anything else, for that matter), she replied: “I know everything about Russia. On a clear day, I can see it from my back yard.”
Compare this to Barack Obama’s Vice President Joe Biden and count our collective blessings over the past eight years that they jointly trounced the McCain / Palin ticket.

If it makes you feel any better about The Donald, you have to scrawl a long way down the Forbes list to find him among his co-billionaires. Almost embarrassingly, he pops up at number 405 with a puny USD 4.1 billion to his name which he made in the TV and real estate industries. But still, that’s plenty to run an impactful political campaign, with or without Ms Palin’s blessing.

Both the Republican and Democratic Parties’ Primaries nomination races proper begin on 9 February, with the Caucus in Iowa which in and of itself is quite a peculiar event and gets a lot of media attention every four years, being the first. For now, in this classic example of what the Americans call a “fly over State” (as in, nobody goes there; you just cross its airspace when travelling between the East Coast and the West Coast), Trump is trailing Senator Ted Cruz from Texas. But that was before Ms Palin’s high-profile intervention of course.

The other billionaire to have gained a lot of media attention over the past week or so is Rupert Murdoch (born in 1931), the Australian-British media tycoon, who comes in at a respectable USD 13.9 billion, securing him the 77th place in the Forbes ranking.

As much as for his remarkable success as a businessman, he has always been a darling of the media – his own and his competitors’ – because of what goes on in his personal life. Three-time divorcee already, this past 11 January, at the ripe old age of 84, he placed an engagement listing in his own The Times newspaper (did he get a discount, I wonder) to announce he was bespoken to none less than Jerry Hall.

Jerry Hall, you ask? Yes, Jerry Hall, born in 1958, a former model and nowadays what competing newspaper The Observer irreverently called “rock-chick royalty” in its coverage of the news. What a great phrase! Hall’s major claim to this title is the fact she lived with Rock legend (more on this species later) Mick Jagger of the Rolling Stones from 1977 to 1999 and has four children with him.

“In 2005 she discussed the sort of man she was looking for. ‘I have gone out with younger men and they’re great fun, they’ve got enthusiasm. Stamina! But I think older men are much better lovers. I don’t want to have children, because I already have four. And I don’t want to be bossed around because I’ve got my own money, you know. So it’s got to be the right person. But I do quite like the idea of having a companion.’

“But perhaps, nearing 85, Murdoch has finally found what he’s been looking for. Perhaps Hall has too. Whether or not it’s the same thing doesn’t really matter. Because on some level that’s hard to define, you just sense that they deserve each other.” The Guardian (16 January 2016)

It seems that Rupert Murdoch is becoming quite sensible and age-conscious with a view to selecting his wives. Ms Hall is his junior only by 27 a mere years, so where’s the problem?
Compare this to his previous betrothed, Wendi Deng, born in 1968, who was a Hong-Kong based Chinese-American executive in Murdoch’s far-flung media empire when they met at a company party in 1997; they married in 1999. She was a whopping 38 years younger.

Before divorcing her, two children later, in 2013 over rumours she was having an affair with former British Prime Minister Tony Blair, whom of course he helped get elected in the first place when his Sun newspaper came out in his support before the 1997 general elections and who is also the godfather of their first daughter (what were you thinking, Tony?), she did have her very own “Fifteen Minutes of Fame”.

On July 19, 2011, tiny Wendi Deng wrestled with Jonathan May-Bowles (comedian Jonnie Marbles) who had thrown a pie at her husband while he was giving testimony before a British parliamentary committee investigating the News of the World phone hacking scandal. 

I remember watching the House of Commons Culture, Media, and Sport Select Committee proceedings live on TV and was very impressed with her, less so with her spouse. Having appeared in this particular forum myself, I know how difficult it can get, and sadly, neither Rupert Murdoch nor his son James, sitting next to him, did all that well, primarily I think due to lack of preparation resulting from the arrogance of the mighty who then have a rude awakening when they find themselves in a situation where MPs, representing the Sovereign, the People, speak to them in a way that they are simply not used to from their corporate entourages. 

And then, somebody comes from left-field and attacks you with whipped cream.

We have all heard of the “Tiger Moms”, Asian mothers who drill their children to do well in the Western (American mostly) education system, and you don’t want to get in their way. But this was the first time I saw a “Tiger Wife” in action. Wow! Sheer dynamite.
Rupert Murdoch, by the way, later called his testimony before that Committee “the most humble day of my life”. And I’m sure he would have felt the same way even without the pie attack.

So, Jerry Hall, what have you got to “protect your man”? And he ain’t getting’ any younger either.

On any other day, I would have found an elegant way to conclude my blog here and now.
But this is not any other day. And the adjective “young” will serve as the bridge to what follows.

Please bear with me and read on. Consider this a special edition, a two-for-the-price-of-one blog. Over the past weeks, we have prematurely lost too many seriously talented artists – musicians and actors – who in one way or another had accompanied us through the years and decades. Maybe we didn’t realise this, taking it for granted as we will, but this is a time to reflect on all the joy they have given us, and to appreciate those still in our midst all the more.

Natalie Cole, Lemmy Kilmister, David Bowie, Alan Rickman. I miss them all.

But then, in the evening of 18 January 2016 at around 22:40 local time in the UK, as I watched the evening news on TV before going to bed, I suffered a blow in the shape of “Breaking News” that I will be reeling from for a long time.

I mourn the tragic death, at age 67, of singer songwriter Glenn Frey, co-founder of the rock band, The Eagles. And I dedicate the rest of this blog to him, in fond commemoration of all the happiness he and his music have brought to my life over the past 45 years. That’s a long time.

He leaves behind his second wife, Cindy, and their daughter and two sons, Taylor (24), Deacon (22), and Otis (13).




And this is personal. Very personal. I find it hard to put in words the loss I feel. Which doesn’t happen to me all that often.

As I am writing this, of course, I am listening to The Eagles.

Please feel free to visit their website with the tribute to him:


His death seems very random, unexpected as it came. He had been taking medication for rheumatic arthritis for some 15 years which led to an inflammation of his bowel on which he was operated in December, only then to die of pneumonia in hospital. No rhyme or reason.

And for sure, he could afford the best doctors and medical care available.

One of the Eagles’ hits was “Take It To The Limit” (which, I swear, is playing right now). In their concerts, when they were about to perform it, Glenn Frey would always announce it as follows: “This next one is what our wives call ‘The Credit Card Song’.” 

I will never hear that line again. And I will never see them on stage again as the idea of The Eagles on tour without their co-founder and driving force, artistic and otherwise, is anathema.

Glenn Frey, born 6 November 1948, hailed from Detroit, Michigan where his father worked on a car production line and his mother in the canteen at General Motors. He took piano lessons from the age of five, but switched to guitar ten years later after seeing The Beatles perform. A keen musician, he went to Los Angeles in 1968 because that’s where the action was in those days. He ended up with a few other unknowns as the backing group for Linda Ronstadt. Importantly, in this context he met Don Henley from Gilmer, Texas, a drummer who was destined to become his alter ego. 

Check out the video, History of the Eagles (2013), a two-part, Emmy-Award winning documentary I watched (again) just before Christmas. It shows, with historical footage and retrospective interviews, how it all happened. And there is this part where Henley recounts how they got to team up:

Frey to Henley: “I wanna be in a band with you.”

Henley to Frey: “Me too.”

Frey to Henley: “But to be successful, we’ll have to write our own songs.”

Henley to Frey: “What if we’re bad?”

Well, they weren’t, and Henley later credited Frey with creating their unique sound: “We gave Glenn a nickname, the Lone Arranger. He had a vision about how our voices could blend.”

The Eagles became one of the biggest rock acts ever, and the most successful in the Seventies. I won’t bore you with statistics, but Their Greatest Hits (1971-1975), released in 1976, was the best-selling album of all time, only to be surpassed eventually by Michael Jackson’s Thriller (1982). Their subsequent success with Hotel California (1976) made The Eagles the only act in history to appear twice in the sales charts of the world’s top ten albums ever.

All in all, The Eagles sold 150 million records. They remain the fifth-highest-selling music act and the highest-selling American band in history.

I had the good fortune to see The Eagles perform live maybe half a dozen times – alone, with friends, and, importantly, with my family. The last time was in Cologne, Germany, in the summer of 2011 during their “Long Road Out of Eden” tour (2008 – 2011). 

My kids will always remember this as their Dad’s favourite music. And guess what, “Hotel California” and many others of their songs will still be played for a long, long time to come.
The Eagles broke up in a very acrimonious manner in 1980. If interested, please google “The Long Night at Wrong Beach”. Don Henley famously said at the time they would only reunite “when Hell freezes over”.

In 1994 they got back together again. They went on a sold-out tour followed by a live, chart-topping album entitled – Hell Freezes Over. From that time on, in concerts Glenn Frey would always say: “The Eagles never broke up. We just took a 14-year vacation.”

Another line I will never hear again.

Which brings me to regrets.

Remember Frank Sinatra’s song, “My Way” (1969):

“Regrets, I have a few / But then again, too few to mention.”

I’ve been fortunate in the same way in my life so far. But I will list three, in ascending order:

Number Three

After graduating from University and before starting my first job, I had six months to myself which I should have spent “travelling the world”. I didn’t. I felt I had to finish a football season instead. OMG.

Number Two

On 25 May 1983, the only football club I will ever support, Hamburger SV (HSV) played the European Champions’ Cup Final (the precursor to today’s Champions’ League) in Athens, Greece against the apparently invincible Juventus Turin. Although I could have made the time, afforded the trip, and in those days getting tickets for such games was still very easy, I did not go, out of sheer complacency, watching the game on TV instead. Well, we won 1-0, the greatest success in the club’s history ever, and I wasn’t there.

Number One

On 18 November 2014, my youngest daughter Greta, at the time a senior year student at Davidson College in Davidson, North Carolina, turned 21. This is a big deal anywhere, but especially in the United States as it marks the legal drinking age. On that same day, The Eagles were playing in Las Vegas. The following night, I could have got tickets for the Cirque du Soleil show, Love, featuring the music of The Beatles at the MGM Grand, something I’d been wanting to do for many years. What a double whammy! I was planning to fly her in from Charlotte and meet up in Las Vegas with her parents for a few memorable days. Again, for reasons I now do not even recall, I didn’t do it.

I will see the Cirque du Soleil show for sure one day.

But I will never get the opportunity again to buy my Princess her first drink – at a bar in Las Vegas.

And I will never be able to see The Eagles in concert ever again.

Life is short. Make the most of it while you can. Please.

Among the best lines of any rock or pop song ever are those to “Take It Easy” (1972), co-written by Jackson Browne and Glenn Frey. 

The former – a musician friend of The Eagles best known for his songs “The Pretender” (1976), “Running On Empty” (1977), “Somebody’s Baby” (1982), and “Lawyers In Love” (1983; what an intriguing notion) – came up with the first two rhyming lines, but then got stuck. It was Frey who completed the verse and wrote the rest of the lyrics. Maybe his provenance from The Motor City helped with the inspiration. Anyhow, the song was the band’s first-ever single, off their debut album, Eagles:

“Well, I'm a standin' on a corner 
In Winslow, Arizona 
Such a fine sight to see 
It's a girl my Lord 
In a flat-bed Ford 
Slowin' down to take a look at me”

Winslow, Arizona is located in Navajo County. The last census I could find dates back to 2010, quoting the population at 9,655.

And guess what, at that intersection there is a statue (another one, but not disputed – your link to the first half of this blog) and a mural.




And in the late evening of 18 January 2016, I decided to go there one day. No more regrets.

Glenn Frey was a multi-talented artist – a creative song writer with a knack both for melodies and lyrics; a wonderful singer with an unmistakable voice that underpinned the harmonies of the characteristic Eagles sound; and an accomplished guitarist who held his own alongside the likes of juggernaut Joe Walsh.

During the “14-year vacation”, Glenn Frey had a successful solo career, producing five studio albums. His last, After Hours (2012), except for the title song, consisted of cover versions of pop standards from the 1940s through the 1980s.

Frey wrote and recorded songs for the Eighties cult TV series Miami Vice, where he also appeared as an actor in four separate episodes. He equally contributed to the sound tracks of two absolute movie classics: For Beverly Hills Cop (1984), starring Eddie Murphy, “The Heat Is On”; and for Thelma and Louise (1991), directed by Ridley Scott and starring Susan Sarandon and Geena Davis (and a very young Brad Pitt in the role of JD, a one-night stand for Thelma / Ms Davis), “Part of Me, Part of You”. 

And if ever you watch (again) the immensely enjoyable film about a sports agent, Jerry Maguire (1996), directed by Cameron Crowe and starring Tom Cruise, Cuba Gooding, Jr. (“Show me the money!”), and Renée Zellweger, watch out for the character Dennis Wilburn, Manager of the Arizona Cardinals football team, played by, you have guessed it, Glenn Frey.

So – since I’m sure you’ve been waiting for it and I don’t want to duck the challenge, here are my favourite songs from the body of work Glenn Frey has produced.

Solo Top Three:

Number Three: “You Belong to the City” (1985), Miami Vice soundtrack

Number Two: “The Heat Is On” (1984), Beverly Hills Cop soundtrack

Number One: “Smuggler’s Blues” (1984), Miami Vice soundtrack

And my personal Top Ten of Eagles songs, which I simply can’t bring myself to rank, so in chronological order:

“Peaceful Easy Feeling”, Eagles (1972)

“Take It Easy”, Eagles (1972)

“Desperado”, Desperado (1973)

“Lyin’ Eyes”, One of These Nights (1975)

“One of These Nights”, One of These Nights (1975)

“Take It to the Limit”, One of These Nights (1975)

“Hotel California”, Hotel California (1976)

“Life in the Fast Lane”, Hotel California (1976)
Disclosure: The opening guitar riff is the ringtone on my iPhone.

“New Kid in Town”, Hotel California (1976)

“The Long Run”, The Long Run (1979)
Disclosure: Contains, in a nutshell, my life motto.
“When it all comes down / We will still come through / In the long run”

And then, there’s the final song on the second record of the last studio album The Eagles released, Long Road Out of Eden (2007). It debuted at number 1 in the U.S., the United Kingdom, Australia, New Zealand, Netherlands, and Norway. Prophetically, Don Henley said to CNN: “"This is probably the last Eagles album that we'll ever make."

That song is entitled, “It’s Your World Now”:

“A perfect day, the sun is sinking low
As evening falls the gentle breezes blow 
The time we shared went by so fast 
Just like a dream we knew it couldn't last

But I'd do it all again if I could somehow 
But I must be leaving soon, it's your world now

It's your world now, my race is run 
I'm moving on like the setting sun 
No sad goodbyes, no tears allowed 
You'll be alright, it's your world now

Even when we are apart 
You'll always be in my heart 
When dark clouds appear in the sky 
Remember true love never dies  

But first a kiss, one glass of wine 
Just one more dance while there's still time 
My one last wish, someday you'll see 
How hard I tried and how much you meant to me  

It's your world now, use well the time 
Be part of something good, leave something good behind 
The curtain falls, I take my bow 
That's how it's meant to be, it's your world now 
It's your world now, it's your world now”

On 29 July 2015, The Eagles played the last concert of their two-year “History of The Eagles” Tour in Bossier City, Louisiana.

On 18 January 2016, Glenn Frey died in a hospital in New York City.

Yep, Glenn, it’s our world now. But sadly, it will never quite be the same again.

Thank you for the music, the moments, the memories.

Thursday, January 7, 2016

A Night at the Movies

Among the numerous pleasurable things I got to do over this past holiday period was a cinema visit.

I just love going to the movies, but as is the case with others of my favourite pastimes, I don’t get so much opportunity to indulge myself – or so I claim just to make me feel better about what may also well just be laziness, the sheer number of football games to watch over the length of a weekend, or a distinct lack of films that really interest me enough to, literally, “get me out of the house”.

The one I did see now is Bridge of Spies, Stephen Spielberg’s latest oeuvre and his 27th feature film as director. It is also his fourth collaboration with Tom Hanks who plays the lead role of attorney Jim Donovan here (and more on him later). Previous joint projects include Saving Private Ryan (1998); Catch Me If You Can (2002); and, best of all I think, The Terminal (2004) – very funny in an equally thoughtful and intelligent way. A winning formula.

Tom Hanks, born 1956, also has a remarkable track record of course outside his work with Stephen Spielberg. He won the Oscar for his lead roles in Philadelphia (1993) and Forrest Gump (1994), making him only the second film actor ever to be awarded that highest of honours in two consecutive years. For your next pub quiz: The first was Spencer Tracy, winning in 1937 and 1938. The following year, 1995, Hanks was not nominated again for his role as Commander Jim Lovell in Apollo 13, so the hat-trick eluded him.

To be fair, that film wasn’t really suited for highlighting the Best Actor in a Leading Role, winning “only” the awards for Best Sound and Best Film Editing, but at least it gave Hanks the opportunity to utter one of the most lasting one-liners in film history: “Houston, we have a problem.”

I remember renting the movie out on video (no DVD, Blue Ray, or “streaming” in those days) while on a family holiday in Florida and watching it with my kids in the evening after our return from a tour of Cape Canaveral. I swear that for years they thought “Houston” was the name of the character played by Ed Harris, the NASA Flight Director at Mission Control in Texas.

And why would they not? Being the well-brought up, respectful children that they were then, and still are today, they probably just quietly wondered why Commander Lovell was so rude to his colleague on the ground and didn’t address him as “Mr Houston”.

His actual name was Gene Kranz, based on the real-life Flight Director Eugene F. Kranz who worked for NASA from 1961 to 1994, overseeing both the first moon landing of Apollo 11 and the rescue of the ill-fated Apollo 13 flight.

Speaking of memorable one-liners (well, two-liners really), Ed Harris had this one:

“We've never lost an American in space, we're sure as hell not gonna lose one on my watch! Failure is not an option.” End of discussion.

He was nominated for the Oscar in the category Best Actor in a Supporting Role but didn’t win. 

Tom Hanks has also worked with considerable success “behind the camera”: In 2001, he helped direct and produce the Emmy-Award winning HBO miniseries Band of Brothers, and in 2010 he was executive producer of that other WWII miniseries, The Pacific. I believe I have mentioned these before here.

He shall be forgiven for his starring in The Da Vinci Code (2006) and its sequel Angels & Demons (2009), both after the eponymous best-selling novels by Dan Brown. Playing “Harvard symbologist” [sic] Robert Langdon, he is basically the urban and scholarly answer to Harrison Ford’s signature character Indiana Jones who preferred gallivanting through more far-flung, rural territories. Oh, and Professor Langdon does not crack the whip.

For those of you, however, who have been anxiously waiting over the last seven years for a third dollop of fast-moving action triggered by mysterious religious conspiracies threatening to rock the very foundations of Christianity and Western culture as we know it, I have good news as your agony is soon to end: 

In December it was unveiled that Inferno will hit cinemas this year!

But Hanks shall equally be lauded for many other films that are less-well known, such as the title role in Charlie Wilson’s War (2007), a hilarious persiflage on American politics in general, the shenanigans of Democratic Texas Congressman Charles Wilson in Washington DC in particular, and his secret dealings in Afghanistan, arming the mujahideen against the Soviet invaders in the early 1980s, specifically. Well, we all know how that panned out.

Coming back to Tom Hanks’ latest film I’ve just watched, and before you lose your patience with me, note the wonderful rhyme of its title with the Bridge of Sighs, located in Venice across the canal Rio di Palazzo. It links the New Prison to the interrogation cells in the Doge’s Palace and owes its name to the romantic notion that convicts would sigh at their final view of beautiful Venice through the window before being taken down to their cells.

No wonder then that we owe the English translation of Ponte dei sospiri to the arch-Romantic of all Romantics, Lord Byron (1788 – 1824) who visited Venice, aka La Serenissima, in the course of his extensive travels in Italy and elsewhere in the Mediterranean.

Anyhow, coming back to Bridge of Spies, there is nothing even remotely romantic about its theme. Set in the late 1950s and early 1960s, at the height of the Cold War, it tells the true story of the exchange of Rudolf Abel, a Soviet spy arrested in Brooklyn on 21 June 1957 and subsequently sentenced to 30 years imprisonment in the United States, against two young Americans – Gary Powers, the pilot of a U-2 aerial reconnaissance plane shot down over Sverdlovsk on 1 May 1960 and held by the Soviet Union; and Yale graduate student Frederic Pryor, who ended up on the wrong side of the Berlin Wall on 3 August 1961, the day it was built, and was arrested by the Soviet satellite regime in the German Democratic Republic.

A piece of trivia that I, as you will know by now, always find so hard to resist: The rock band U-2 named themselves after this aircraft type featured in the movie, and frontman Bono’s daughter, Eve Hewson plays aforementioned Tom Hanks character Jim Donovan’s eldest daughter Carol. And she even has a scene all to herself, too. Neat, right?!

And no, I am not a U-2 fan.

The negotiations leading to the exchange of the prisoners were conducted by Donovan, a capable but pretty anonymous partner in an insurance law firm, who, if I understand correctly, stumbled into this truly historic role simply due to the fact that he was appointed Abel’s defence attorney by the American government when no-one else would volunteer to take on this very unpopular and thankless mandate.

Cometh the hour, cometh the man. Or, from Donovan’s perspective: Recognize an exceptional challenge when it is unexpectedly thrown your way, embrace it, and come out on top.

“Have faith and pursue the unknown end.” Oliver Wendell Holmes, Jr. (1841 – 1935; American jurist and member of the U.S. Supreme Court from 1902 to 1932)

Actually, and returning to the great Lord Byron for a moment, come to think of it, in the case of Pryor, the “other” guy exchanged (for the U.S. Government, Gary Powell was the big prize of course), there was indeed romance involved as he made the mistake of going to the Soviet occupied part of Berlin on that fateful day to convince his German girlfriend to come to the western sectors with him on the spot – while it was still possible to do so without risking to step on land mines crossing a zone additionally sealed off by barbed wire, aka “The Death Strip”, and then physically climbing the Wall, exposing oneself to getting shot in the back in the process.

For Frederic Pryor, 28 years old then, it just boiled down to wrong place, wrong time. The things (young) men will do for love…

To quote Rod Stewart’s song “Some Guys Have All the Luck” (Camouflage, 1984), ironically:

“Some guys have all the luck 
Some guys have all the pain 
Some guys get all the breaks 
Some guys do nothing but complain”

The eponymous “Bridge of Spies” by the way is the Glienicker Brücke across the river Havel which in this part of Berlin separated the Soviet sector from the West. The bridge was used several times during the Cold War for the exchange of captured spies who would dramatically walk across it from East to West and from West to East, respectively, meeting half-way without ever acknowledging each other, to be greeted by their friends and comrades (or not anymore – long before the advent of Facebook, people could be “unfriended”, arguably with graver consequences though) on the other side, whisked away to be “de-briefed”, and exposed to an uncertain future back home.
  
Abel and Powers crossed that bridge in the early hours of 10 February 1962; Pryor was simultaneously released at the even more famous Checkpoint Charlie in the city centre.

Visiting Berlin, the capital of reunified Germany since 1990, today, which I would urge everyone to do as it is both an interesting and fun place to go, you can hardly imagine the realities of a divided city and country during the Cold War, only a few decades ago. But of course you can still see all the historic sights and landmarks plus a section of the Wall that was not dismantled to serve as a stark memorial of those times. 

“Stark”? Well, it is covered in graffiti art today.

Since we are heading into Hollywood’s awards season – the Golden Globes will be presented on 10 January, the Academy Awards, generally known as the Oscars, on 28 February – let it be known that Bridge of Spies has deservedly been short-listed for both these most prestigious of film industry accolades in a number of categories, with one highest (not lowest) common denominator: Best Supporting Actor.

Before I come to it, let me be on the record as saying Tom Hanks is one of my all-time favourite movie heroes, as per the above. There is simply no argument about his titanic stature, and from what I have seen of him in the media, in talk shows, and in other public appearances, he seems to be a very likeable, quirky, and down-to-earth kind of guy as well.


He collects old, mechanical travel typewriters and never goes anywhere without one. Yes, those actually were very much in demand in days gone by, but that is such a long time ago that they might as well have been used by the dinosaurs.

A propos of nothing, there are many theories on the reasons why that species died out – climate change, impact from meteorites, or a general inability to adapt and evolve.

Well, let it be revealed here and now: The simple truth is they were extinct because they collectively took up smoking. And don’t just take my word for it – I have the cartoon to prove it, too.

So, on to the Best Supporting Actor nominations for Bridge of Spies, and the true star of the movie. 

It is British actor Mark Rylance in the role of Soviet spy Rudolf Abel.

Born in 1960 in Ashford, Kent, according to the usually spot-on Internet Movie Database (http://www.imdb.com) he has hitherto been “widely regarded as the greatest stage actor of his generation”.

In addition, however, even before Bridge of Spies he also already had a number of remarkable film roles to his credit, always in clever movies “with a twist”:

The Other Boleyn Girl (as Sir Thomas Boleyn) 2008 – a creative different take on the relationship between Henry VIII and Anna Boleyn

Anonymous (as Condell) 2011 – the story of the “real” author behind the works of a certain William Shakespeare

Days and Nights (as Stephen) 2014 – a modern version of Anton Chekov’s The Seagull, set in New England in 1984

The Gunman (as Cox) 2015 – an action-packed plot in which a mercenary sniper in the Congo becomes the target of a death squad himself years later

Wolf Hall (as none less than Sir Thomas Cromwell) 2015 – a TV mini-series adaptation of Hilary Mantel’s epochal novel published in 2009, the highly fictionalised biography documenting the rapid rise to power of Thomas Cromwell at the court of Henry VIII through to the death of Sir Thomas More. It won both the Man Booker Prize and the National Book Critics Circle Award. In 2012, The Observer named it as one of "The 10 best historical novels". The book is the first in a trilogy; the sequel Bring Up the Bodies was published in 2012, and the literary world is waiting with bated breath for Part Three.

So now, Mark Rylance plays Rudolf Abel. Stephen Spielberg cast him for the role after watching his 2014 Tony-Award winning performance in Shakespeare’s Twelfth Night. It was the actor’s third Tony win, the most prestigious of “stage Oscar” awards, recognising performances in live New York Broadway theatre. The other two were for Boeing, Boeing (2008) and Jerusalem (2011). No other actor has achieved three Tony-Award wins. And looking at their intervals, there may well be something big to look forward to in 2017. Watch this space if so inclined.

As Frank Sinatra sang in one of his signature songs, New York, New York (recorded by him in 1979): 

“If I can make it there, I'm gonna make it anywhere,
It's up to you, New York, New York"

In this role, Rylance takes the notion of quiet charisma to a new level. Speaking in a monotonous voice with a North England, borderline Scottish accent (historically accurate as Abel was born in Newcastle-upon-Tyne to Russian parents and spent some of his school years in Scotland before returning to The Motherland), there is not one superfluous twitch of his face, not one distracting blink of his eyes, nor one spoken word too many in his performance. 

And when at times his attorney Hanks/Donovan despairs with him and asks why he is not angry or anxious or doesn’t show any other emotions, he sardonically replies: “Would it help?”

Coming from stage acting, where if anything there needs to be a surplus exaggeration of volume and gesture and mimics, this cannot have been an easy transition for Rylance to make, but he has certainly mastered it impressively – the camera, as they say in the industry, loves him.

So much so that he will next play the title role in Stephen Spielberg’s new, 28th movie (if my counting is still correct), The BFG, a Phantasy genre film after a novel by Roald Dahl to be released this year. My font of wisdom on all things movies, IMDb has to say the following about it, explaining also the mysterious title: 

“A girl named Sophie encounters the Big Friendly Giant who, despite his intimidating appearance, turns out to be a kind-hearted soul who is considered an outcast by the other giants because unlike his peers refuses to eat boys and girls.” Bless him.

So as does the character played by Tom Hanks in the movie, in real life Mark Rylance is stepping up, graduating from supporting actor to top act. Of course, no matter how talented you are or how hard you work, at one point you will need a lucky break to reach the pinnacle of your chosen profession. If Stephen Spielberg on that evening in 2014 had not gone to watch Twelfth Night on Broadway, who knows. 

But I also firmly believe that good things come to good people, quality in the end always prevails, and everybody gets what they deserve (positive and negative, by the way). So according to this optimistic world view, Rylance would still have taken that final step, it may just have been a little later. 

On the other hand, looking around me, I also often feel compelled to say, “Life is not fair. And if they told you so, they were lying.”

Discuss.

Sometimes, if you do get impatient on your way up, a conscious change of careers can help.

Staying within the film industry for the perfect example, as a Hollywood actor, a certain Ronald Reagan never managed to progress from playing the roles of “The Lead Man’s Best Friend” to becoming “The Lead Man” himself. But then he went into politics instead, and the rest is truly history.

In either scenario,
“The way we are living,
Timorous or bold,
Will have been our life.”

Seamus Heaney (1939 – 2013; Irish poet, winner of the Nobel Prize in Literature in 1995)

And believe me, it is short.

I picked this up somewhere recently, and I’ve already shared it with some of you. I do think it makes for a good motto for the year just begun (it being too late already for New Year’s Resolutions):

                                   

Since I have spent so much time on this movie now, I have decided to create a new category – films with the word “bridge” in their titles.

And no, Bridge-t Jones Diary (2001) and Bridge-t Jones: The Edge of Reason (2004) do so not qualify.

I have identified four others, the most recent previous one being The Bridges of Madison County (1995) – something for really die-hard fans of Clint Eastwood (who also directed it) and/or Meryl Streep, but otherwise rather melodramatic and altogether unremarkable I found.

The remaining three, and this is interesting while not really that surprising, are all movies set in World War Two. Especially in mechanised military conflict, of course, bridges play an important strategic role in allowing armies to advance or, if blown up in time by the enemy, not.

All three are very good but different, and since each one is top-notch, even I find it hard to rank them. So in chronological order, the short list is comprised of:

The Bridge on the River Kwai (1957) Director David Lean. Starring William Holden, Alec Guiness, Jack Hawkins

The Bridge of Remagen (1969) Director John Guillermin. Starring George Segal, Robert Vaughn, Ben Gazzara

A Bridge Too Far (1977) Director Richard Attenborough. Starring Sean Connery, Ryan O’Neil, Michael Caine

Just savour these twelve names.

And speaking of names: A sub-category could be movies with brothers Beau Bridges and Jeff Bridges. If you want to get really serious about it, throw in their dad, Lloyd Bridges (1933 – 1998).

If you just watch one film with both brothers in it, please choose The Fabulous Baker Boys (1989) in which they co-star with Michelle Pfeiffer. “Makin’ Whoopee” anyone?

Outside of war movies, however, we tend to have somewhat idealising associations with bridges.

Yes, sometimes we do burn them, metaphorically speaking:

“Think in terms of bridges burned 
Think of seasons that must end
See the rivers rise and fall
They will rise and fall again 
Everything must have an end 
Like an ocean to a shore 
Like a river to a stream
Like a river to a stream 
It's the famous final scene

And how you tried to make it work
Did you really think it could?
How you tried to make it last
Did you really think it would?
Like a guest who stayed too long
Now it's finally time to leave 
Yes, it's finally time to leave
Take it calmly and serene
It's the famous final scene”

Bob Seger, “The Famous Final Scene” (Stranger in Town, 1978)

But mostly we like to think we build bridges. And of course we cross them – when we get to them.

In the same vein, the contexts in which we use the corresponding verb, to bridge, are mostly, well, constructive.

We bridge differences. We bridge gaps. We bridge loans.

And we like bridging public holidays in order to get as much time off with as little investment from our annual vacation allowance as we possibly can.

Many years ago, I had the opportunity to work with the Junior Chamber of Commerce International, and their idealistic motto was “to build rainbow bridges”.

It doesn’t get any better than that, maybe short of American folk rock duo Simon and Garfunkel’s song, “Bridge Over Troubled Water” (Bridge Over Troubled Water, 1969):

“When you're weary, feeling small
When tears are in your eyes,
I will dry them all
I'm on your side
When times get rough
And friends just can't be found
Like a bridge over troubled water
I will lay me down
Like a bridge over troubled water
I will lay me down”

Say what you will – timeless.

So the next time you enjoy one of those bridging days, why not have a “Bridge Movies” binge and maybe listen to Simon and Garfunkel as well as Bob Seger. 

And while you’re at it, add the film The Graduate (1967) to your “watch list”. It stars a very young Dustin Hofmann as Ben Braddock who in the summer after his graduation from college finds himself torn between the wife of his father’s business partner, who becomes his lover – Mrs Robinson seductively played by Anne Bancroft – and her daughter Elaine, with whom he inevitably falls in love, played by Katharine Ross. Spoiler alert: Look out for the proverbial Famous Final Scene!

The Graduate was directed by Mike Nichols (1931 – 2014), and guess what, he also made Charlie Wilson’s War.

Now that’s what I call a perfect landing on which to end.